Grand Central Portal – Part 2

Victory Way Celebration at Grand Central Station?


What do you think of that???

According to SIRIS, their archives contain “four undated images depicting large crowds of New York Central Railroad employees at a celebration in Victory Way, featuring towering pyramids of captured German helmets.”

You have to ask yourself how railroad workers got their hands on so damn many German helments …seems pretty odd to me — smacks of high wizardry!

FYI, SIRIS is The Smithsonian Institute Research Information System (clever, no?)

Also in this collection I found one of the original sketches for the statue of Mercury

You will notice that there is not the same configuration for the characters, and the differences are pretty startling….and where did that angel in a trenchcoat come from?

02In the sketch we see a much more warrior-like Mercury (or is that his Hermes mode?) with that “AS ABOVE SO BELOW” hand position going, but the final statue is much more “god-like” (for lack of a better phrase) with arms outstretched and the cadecus in the other hand. Hmmm.

Now, if we take the bigger leap and address Wendy’s observation in the comments questioning why the man was looking up and the woman looking down, we quickly see this was not the case in the early sketch. Instead, we seem to have two “god-like” figures looking down on the humanity below…neither one is paying attention to Mercury. Historical archives say that the lady on the statue is Minerva, Goddess of Wisdom. Hmmmm.

Why the switch? In a work this highly symbolic, such decisions are not made lightly.

To me, this whole thing smacks of some kind of patriarchial/feminine struggle for dominance, especially after seeing the pyramid of helmets topped with a very “Columbian” looking goddess. 


Which brings us back to that Zodiac ceiling. As Wendy also pointed out, it is oriented from a solar point of view…which is apparently quite a bit different from ours…I see a unicorn followed by a pegusus, not in our usual suspects for celestial influence. And it looks like Orion is posed to knock the crap out of Taurus!
Those fish tied by a ribbon could go a couple of different ways…Piscies, Aquarius, Gemini…? And is that the Milky Way painted in? That resonates with the concept that the Maya considered the blank spots in the Milky Way as constellations…


Here is one explanation I found, which is pretty flippant indeed, but may hide that grain of truth that is always thrown in as the insider joke:

There are two peculiarities to this ceiling: the sky is backwards, and the stars are slightly displaced. One explanation is that the ceiling is based on a medieval manuscript, which visualized the sky as it would look from outside the celestial sphere: this is why the constellations are backwards. Since the celestial sphere is an abstraction (stars are not all at equal distances from Earth), this view does not correspond to the actual view from anywhere in the universe. The reason for the displacement of the stars is that the manuscript showed a (reflected) view of the sky in the Middle Ages, and since then the stars have shifted due to precession of the equinoxes. Most people, however, simply think that Helleu reversed the image by accident. When they learned that the ceiling was painted backwards, the Vanderbilt family tried to explain that the ceiling reflected God’s view of the sky.


And last, but not least, imagine my surprise (not!) when I did the simple alignment test on Google Earth and discovered that Grand Central Terminal is right in line with Ground Zero, Washington Park and the Statue of Liberty, all on the list of my favorite suspects for an interdimensional interface!

~ by weewarrior on December 8, 2010.

13 Responses to “Grand Central Portal – Part 2”

  1. Well, what a story! The pyramid of helmets is disgusting – gloating over the deaths of humans – reminds me of stacks of skulls in similar, older conquests.
    The little guy with wings – possibly the artist? (Like Cuneo always hid a little mouse in his paintings of steam trains)
    The change in design is very telling, and yes always has a purpose, as you say.
    The astrological ceiling really suggests knowledge of the ancient elders of the Mid-East, which was known to the Global Elite through the ages.
    And the alignment of these monuments is typical of knowledge of the power/energy lines of old.

    I found this – very worth watching –

    Well done you – a fascinating mystery/story. Sacred/Power geometry is amazing.

    Next? 🙂

  2. What about The Queen’s House
    D Ickes’ site here

    I have put a temporary post on my blog just 4 u cos I don’t know if I can put piccies here. On the post u will see the crop circle on David’s page – is this a Star Gate or what??


  3. The G C program vids (link above) are x7 btw.

    Next – The Queen’s House –
    I have put a few piccies on
    for you coz I can’t add them here. 🙂

    I did a bit of building/church/stone circle/ancient site investigation in the 90’s.

  4. Symbols in architecture (in America)

  5. wow i finaly get the hypaethral/ invisible temple concept (the citys of the world combined as one big temple), great vid ty 😀

  6. ??? ???

    W 🙂

  7. I wouldnt be surprised if those carved animals where constellations 😀

  8. Yes, once we have the eyes to see – makes perfect sense to me – yet to a farmer they would just be wild beasties.

    But you see the lizard underneath a sweeping arch from above – a first arrival from the ‘heavens’? hmmm, very curious.

    They may of course put the animals up as guardians, but if you were then, and you were a simple unevolved being – why go to all the effort? Why not just die where you fall and let the weeds grow over you?

    who were they erecting the site for, or to, and how did they know how to do it? The site is right where the ‘Aryans’ were supposed to have suddenly arrived. 13.5 K years ago. hmmm

    Same old questions, eh? I may take a trip with my pendulum…

  9. …look at picture 4 – a scorpion, an albatross playing ball (sun?), flamingos, a spider (?) and a mammal of some kind – and 3 Egyptian ‘keys’ – those little handbag things we see in all the old stone carvings.

    • Hey Wendy-

      Just wanted to let you know that for some reason all the replies I have written on your comments aren’t getting posted. My WordPress program keeps locking up when I post a reply, always for a different reason.

      Anyway, didn’t want you to think I was ignoring your thoughtful responses, and I will try to get the issues worked out on my end, but I got a buttload of work to attend first.

      Love to you and blessings on your road.


      Get Skype and call me for free.

      “Even the smallest person can change the course of the future.” ~ Galadriel

  10. Aaw thnx lelabear 🙂
    don’t worry I know the probs with wordpress.
    I’ll connect on my skype but u can leave comments here – I love this blog and am enjoying the investigations v thought provoking.

    And I know we all have other things to attend to.

    W 🙂

  11. yes very curious rockart the handbags could be planets/ worlds/ galaxys and the watery lines are all too familiar 😀 if you say this is where the aryans originated (in this world) its striking to read in the story of Ishtar that she created :
    Men with the bodies of birds of the desert, human beings with the faces of ravens. (like the ones on the rock?)maybe correlating 2 the vulture shamanism of Catal Huyuk..
    Oh and is that a dino at the bottem? lol
    sry weewarrior way offtopic 🙂

  12. Well, is it off topic, Ruben? Star Gates – places where people could, or can, connect to other planets, stars or dimensions – what is a temple or megalithic site if not for this purpose?

    To understand a place so old, we can piece together the (archaeological)evidence, but then we have to imagine the psychology, philosophy and belief system of the people who put it there.

    To go to the tremendous effort of moving 16 foot long stones, erect them in a pre-determined fashion, work at art, or messages, in the stone and then repeat it over 22 square miles,it had to have great meaning.

    It made me smile to see the monoliths in the form of a ‘T’ – what did ‘T’ mean for them (not Turkey, I guess!), and why not just a standing stone? The skill to fit the top to the upright so accurately and for it to last 11 thousand years is no accident or haphazard design.

    Reading the report on the archaeology, I see the famous ‘mistake’ of presuming that the landscape would have been the same. 1. were the circles filled in by soil at the time (as in a burial chamber), filled in later by people who were afraid of them, or wanted to hide them, or disagreed with the supposed belief system, or was it Time that washed and blew soil around them? 2. was the surrounding landscape open and barren as now, cultivated and then exhausted, or abandoned for some reason; was it at a different height above sea level (before the Great Flood), closer to a river, or forested? 3. were the thousands of animals (found around the site) eaten or sacrificed? 4. were the carved animals feared or revered? Were they real or symbolic? etc. etc.

    According to those who believe in the arrival of winged beings from another world, the ‘reptilian race’, winged gods, may have been seen as birds, eagles or vultures.

    But vultures naturally congregate where there are dead bodies.

    For me, this site is exciting because it is so old and pre-dates all other known sites, and because of where it is (near the Caucasus). If the ancients who lived there were witness to something pre-dating all religious systems, even the Sumerians who are thought to be the ones who started ‘religious’ iconography, it may support the theory that the arrival of something triggered a need or desire to erect a stone edifice which had nothing to do with the everyday work to just live. Again, why would anyone spend so much time and effort building something that had no ordinary purpose. When did man first get the idea to apply his time and effort to make a symbolic structure?

    They remind me of the black monoliths in ‘2001 A Space Odyssey’.

    If we take this position as important, and we contemplate this idea of places that connect to other worlds, then this place IS important, and could well be a Portal, or a Gate to the heavens or Stars.

    Shamanism is a derivative practice of the whole idea of being able to fly – like the ‘gods’ – and to talk to the ‘gods’. The eagle is the greatest spirit messenger for the Native Americans, the Peruvian’s the Condor. The eagle is the emblem of America and all empires – British, Persian, Roman and Chinese.

    W 🙂

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